The Flick presents these slices of life amid natural silences, sometimes minutes long, allowing its characters' idiosyncrasies and conflicts to play out in real time.Īs a playwright, Annie Baker has been lauded for mastering the everyday rhythms of small-town America, and that tone is fully realized in this production. Outgoing projectionist Rose sleeps off a hangover. Avery, a cinephile who is working at the Flick during a semester off from college, laments the ubiquity of digital projection.
Sam complains that he's been passed over for a promotion. They are visited by projectionist Rose (Caroline Neff), and the three dissatisfied employees make mindless conversation as they go about their equally mindless tasks. Between popcorn-sweeping tutorials and a lesson on the finer points of soda-spigot cleaning, Sam and Avery make small talk and play occasional games of Six Degrees of Kevin Bacon.
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Between movie showings, Sam (Danny McCarthy), a longtime employee, trains new hire Avery (Travis Turner) in the custodial arts. Rows of empty seats at a movie theater called the Flick mirror the audience as the play begins, the booth above projecting the flickering lights from one of America's last 35-millimeter projectors.
Set amid the empty aisles of a faded single-screen movie theater, The Flick allows its action to unfold at an almost maddeningly realistic pace, eschewing dramatically convenient tropes in favor of a presentation of honest, mundane humanity. Rich, fully imagined theatrical experiences to captivate your heart and your mind.Annie Baker's 2014 Pulitzer Prize-winning drama The Flick, at Steppenwolf Theatre, is so sparse and slow-moving that is shouldn't logically keep the audience on the edge of its seat with anticipation. Lincoln Center Magnolia Theatre, 417 West Magnolia Streetįor more information on the creator visit Playwright Annie Baker turns the everyday into the transcendent to create a truly innovative theatrical experience. Critics have been mesmerized by the script’s delicate and patient approach to pacing by performing scenes in realistic rather than theatrical time. When it opened in New York, The Flick became instantly controversial, with some audience members calling it the best thing they’d seen in years and others storming out at intermission. The Flick is a thoughtful comedy/drama whose well-honed characters will challenge the temporal expectations of audiences. Come prepared to see the human experience onstage as you’ve never seen it before. Pulitzer Prize for Drama, Susan Smith Blackburn Award, Obie Award for Playwriting. With keen insight and a finely-tuned comic eye, The Flick is a hilarious and heart-rending cry for authenticity in a fast-changing world.
As they clean the aisles of the empty movie theatre, these three don’t collide in a big way, but the awkwardness and confusion between them creates a rich and nuanced portrait of what it is like to be a human communicating with other people. Avery, the newest employee, is a very sensitive 20-year-old who still lives at home, and is less than enthusiastic about his future.
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Rose is a 24-year-old sexually magnetic, emotionally messy, young lady who prides herself on being the only one who knows how to operate the projector. Sam is a 35-year-old-man who has worked at the movie theater forever. Real time clashes with Reel time as underpaid misfits mop the floor of a soon-to-be extinct 35mm theater, where their tiny battles and not-so-tiny heartbreaks become more gripping than the Silver Screen. “…excruciatingly funny… sweetly demented tragicomedy.’ –Variety
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